September 2003
"A Quest for
Excellence" is an art exhibition at the Ellen G. White Research Centre, of
Northern Caribbean University. This is an appropriate way of commemorating
the life and work of Ellen White.
Mrs. White books cover a wide range of
subject matter, and artists can find inspiration in her work. Upon close
observation one can say that Ellen White was herself an artist as her
graphic descriptions and choice of words cause the "vicarious recreation"
that allows one to experience the events of which she writes.
"The Wilderness," done by Gerald Wray sets
the tone of this exhibition. This is a landscape painting depicting the
abstract impressionistic style. It shows the wild, untamed, and solitary
condition of the earth. No man, beast or rustics are seen. It is symbolic
of the Garden of Eden, when Adam and Eve were thrown out to fend for
themselves. It is also symbolic of the Dark Ages when man was living in
spiritual darkness. In the Dark Age there were myths about the forest, and
man feared exploring that solitary place. Ellen White's writings are a
light in the dark forest, and we should conserve the landmarks, and never
put out the guiding lights. My mother Geddes Haye Wray said, "the palest
ink is better than the best memory."
Another painting by Wray, "The Burning
Bush," typifies the call of Moses. Moses said that he was slow of speech,
but God choose him to do a great work. Similarly, Ellen White felt that
she was not equipped to perform the task she was called to do. However,
God, the master artist, molded her into a vessel that bore the light that
shines brightest in a dark world.
Next, "Deliverance," by Wray, graphically
depicts the vision Ellen White described in her book "The Great
Controversy." She said that God's people were in trouble, but she saw a
little black cloud, less than the size of a man's hand. It was moving
towards the earth juxtaposed against great radiance and glory. Behind that
hand was Christ himself coming to deliver his people.
"Beside His Still Water" is another work by
Wray, which is depicting the vast open landscape. There is also a stream
that is refreshing: the setting is intended to have some therapeutic
benefits. Persons can be rejuvenated as they vicariously wonder through
its quietude. Jesus asked the disciples to go and rest from the busy city
life. Likewise Ellen White advises that we should resort to small towns
and villages that will provide a healthier life. I hope that these
paintings will make the viewers more aware of the psychoanalytic concepts
in art, and its influence in the contemporary history of culture.
Andrea Newman's painting, "Supernatural,"
reflects White's major influence on the church and the world at large.
Newman painted an out-stretched hand holding the open Bible. This is
reminding us about Mrs. White's last attendance at a General Conference
Session. She held the Bible up before the congregation and said "I give
you this book." This is symbolic of the source from which she drew her
spiritual strength.
"Mount up with Wings" done by Lilieth
Howson-Barnes, shows a landscape with an eagle soaring high in the sky.
Isaiah assures us that "they that wait upon the Lord shall renew their
strength. They shall mount up with wings like eagles." Upon close
observation of the painting, the eagle becomes visually ambiguous. Its
biomorphic quality is symbolic of God's hand helping us in times of need.
We cannot see God's hand but we can see the results of his assistance.
This is also complementary to Mrs. White's quote that says, "no one sees
the hands that lift the burden."
The paintings exhibited by Patricia Haakmat
are quite fitting for the occasion. She did a landscape painting called
"Promises" that depicted the cross of Jesus. The path leading to the
rainbow on the background is symbolic of Jesus' forgiveness while the
rainbow typifies the promise to Noah and by extension to the world. The
empty tomb represents the resurrection and the dead tree on the foreground
signifies the promise of renewal.
"Meteoric Shower" is another of Haakmat's
paintings. This is reflective of the event that took place on November 13,
1833, an even that was predicted in Matt. 24:29, Mark 13:24, and Rev.
6:13. This was the most spectacular meteoric shower recorded. It is said
to have started at about 2:00 a.m. in a cloudless sky and continued until
daybreak. This painting is a reminder of the imminence of the second
coming of Jesus.
Clyde Thomas did a painting titled
"Liberation" that is depicting the cross of Jesus. At the foot of the
cross is a path that leads to a bright light, and footsteps are seen
leading to the cross. The symbolism creates an awareness of the journey
from sinfulness to sinlessness, from darkness to light, from hopelessness
to hopefulness, and from chaos to order. The way of the cross leads home.
By: Gerald Wray, Fine Artist, NCU
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